http://www.bubbaandme.com/dreamme-classic/
Review Dream Me Classic 2
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The Classic $150 Focusing on a moment and a source in 19th-century France, Christopher Prendergast takes up a big question that is still with us: What is a classic? His enquiry, which centres on the French critic Sainte-Beuve (1804-69), who asked the question 'Qu'est-ce qu'un classique?' in an essay of 1850, takes us on a tour of the history of the 'classic' that provides insights into and beyond the 'culture wars' of the 19th century. – ;Focusing on a moment and a source in nineteenth-century France, Christopher Prendergast takes up a big question that is still with us: What is a classic? The question is, by virtue of its insistent recurrence, itself a classic question. It returns to haunt us. It provided the title of a text for French critic Charles-Augustin Sainte-Beuve in 1850 ('Qu'est-ce qu'un classique?'), as it did in the twentieth century for T.S. Eliot and John Coetzee. Centring on Sainte-Beuve in. his nineteenth-century context, Prendergast's inquiry takes us historically to many places (antiquity, the middle ages, the seventeenth and eighteenth as well as the nineteenth and early twentieth centuries). He also provides an intellectual history that travels across multiple disciplinary territories (in. addition to literary criticism and literary history, classical studies, comparative philology, historiography and political thought). Against this background, The Classic maps the evolution of Sainte-Beuve's thought from an initially cosmopolitan conception of the classic (close in spirit to Goethe's notion of Weltliteratur) to an increasingly nationalist conception, with a strong emphasis on the heritage of Latinity and France as its principal legatee. This emphasis was taken up by the extreme right in France after Sainte-Beuve's death, in a determined mobilizing of a version of the 'classic' on behalf of a. proto-fascist agenda. The final chapter deals with this appropriation and ends with a question of our own about Sainte-Beuve's original question: in the light of this bleak history, perhaps the time has come to dispense with the term 'classic' altogether. – ;…splendid study… – David Baguley French Studies;…insightful cultural history – Ann Jefferson, Times Literary Supplement |
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Classic $3.95 It’s almost Valentine’s Day at Waverly Academy, and love is in the air…and in everyone’s inboxes. Each year, The Waverly Computer Society runs Perfect Match, an online personality survey that pairs up Waverly Owls with their supposed soul mates. Now the campus is overrun with peculiar pairings, odd couples, and mischief makers hoping to play Cupid for a day. Jenny Humphrey is convinced she’ll be paired with her adorable new boyfriend, Isaac Dresden. But when he starts acting skittish, she begins to wonder if he’s her Perfect Match after all. Brett Messerschmidt and Tinsley Carmichael definitely aren’t feeling the love this Valentine’s Day: when Isla Dresden, Isaac’s sister, steals Tinsley’s thunder-and Brett’s boyfriend-the two girls vow to plot their revenge. Callie Vernon is starting to wonder if a girl can have two" soulmates. She’s in love with both Easy Walsh and Brandon Buchanan, but on February 14th, she can only give one of them her heart. In this final dramatic It Girl novel, the Waverly Owls ponder an age-old question: is all really fair in love and" war? |
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